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Mixing Audio: Concepts, Practices and Tools

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Mixing Audio: Concepts, Practices and Tools
by: Roey Izhaki

Books : Mixing Audio: Concepts, Practices and Tools

List Price: £28.99
Amazon.co.uk's Price: £26.49
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Binding: Paperback
Dewey Decimal Number: 781
EAN: 9780240520681
Edition: 1
ISBN: 0240520688
Label: Focal Press
Manufacturer: Focal Press
Number Of Items: 1
Number Of Pages: 584
Publication Date: December 07, 2007
Publisher: Focal Press
Studio: Focal Press




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Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - Mixing Audio
I've just purchased this on the strength of the reviews above. I'm glad I was forewarned about the grammatical errors - I'm surprised it went to the presses in this state. The guy may not know how to write, though, but I reckon he knows how to mix. So far I'm finding it interesting and informative reading.




Rating: 5 out of 5 stars - BUY IT!
Finally a very good book on this underground subject. Well written (despite a huge number of errors, maybe it was not proofread very well).
Chapters on compressors and dynamics are enough to justify the purchase.
Audio examples are useful and well recorded.




Rating: 5 out of 5 stars - In my opinion, the finest book on mixing that there is
As a record producer and University Lecturer on Music Technology and Production, I have read most of the limited supply of books that there is out there are on the art of mixing. Although there are a seemingly endless supply of books that cover the engineering side of things (microphones, placement, technique etc.) very few engage with the subject of mixing which is clearly a highly subjective and challenging concept to cover. As such, most of the ones that I have read leave alot to be desired.
What a delight it was then to start reading Roey Izhaki's 'Mixing Audio'. Very well written and highly engaging right from the first chapter, it is clear just how much time has gone into this publication and I was delighted by just how readable it is.
Excellent sections on the process of mixing, monitoring, software mixers, plug-ins, equalisation, gates, compression, limiting, reverbs, distortion etc. etc. are complimented by just the right amount of technical detail and demonstrated throughout on the accompanying CD. More importantly though, rather than just discussing these tools, full and comprehensive advice on how to properly utilise them is provided and backed up with audio examples.
For anyone wanting to invest in a book on this subject matter, then I really can't recommend this book highly enough. Simply superb.



Rating: 5 out of 5 stars - Invaluable ....
I have found this book to be an invaluable teaching source for BTEC and A-Level music technology. I constantly find myself drawing on this book for references and have it as a recommended text.

Details of the tools used in the mix process are discussed in great detail and demonstrated effectively on numerous musical examples on the DVD.

I would highly recommend this book to the Music Technology student.



Rating: 5 out of 5 stars - A very good guide to mixing
One of the things which attracted me to this book is the comprehensive selection of audio files which illustrate each concept clearly. So many other books 'describe' various audio concepts, but don't actually let you 'listen' to them. You also get some complete contemporary mixes in a variety of styles.

The book itself is very comprehensive and filled with useful information. It has the right mixture of top-level and detailed information. You are not deluged with step-by-step instructions on how to use a particular make of plugin or audio programme. Instead you are given an overview of the process and principles which underly each concept. These concepts are developed clearly and progressively. Each chapter brings you an overview, detailed explanations, clear diagrams, tips, and of course the audio examples themselves. For instance, it was a real 'ear' opener to hear the difference between balanced and unbalanced stereo mixes, out-of-phase material, bass-light and bass-heavy mixes, and the difference a few dBs can make.

The book refers to modern material as well as more established practices. I was also impressed by the distinction between the technical and creative sides of mixing, and what can be done to improve a mix. I enjoyed the style and tone of book. Friendly, yet informative. I felt is if I had my very own personal tutor guiding me through the various concepts in the book. Slightly reminiscent of a top-notch lecturer!

The only let down as mentioned by the other reviewer is the number of spelling and grammatical mistakes - I understand that will be rectified in future editions. Don't let that put you off what is otherwise a very useful book.

Check the author's website for some sample audio files and a taster of the book.

Rudi




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